Paul Desmond Bossa Antigua

The bossa was no longer nova when Paul Desmond got around to working in the style, but this 1964 recording ranks with the best Brazilian-inspired jazz. His pure, melodic approach required almost no adjustment (compared with Getz, for example) and his original writing, which dominates on this release, is strongly idiomatic. Connie Kay and Eugene Wright do great work in making the Bossa beat live and breathe. But the biggest attractions are Desmonds lovely sound and inspired phrasing, and the astonishing work of Jim Hall. Guitar fans dont like to hear it, but there are really no guitarists after Wes in the very top rank of soloists. Hall at his best does compare with any piano accompanist of the time, however, and his solos are as well-conceived as Tommy Flanagans or Barry Harris. The interplay between Hall and Desmond is always great, but the unhurried elegance of Bossa Antigua is special even for this great team. Three fine alternate takes enhance this very desirable release. - by Duck Baker, Jazztimes.com
Artist: Paul Desmond
Album: Bossa Antigua
Year: 1964
Label: BMG (1994)
Runtime: 50:46
Tracks:
1. Bossa Antiqua (Paul Desmond) 4:35
2. Samba Cepeda (Paul Desmond) 5:09
3. The Night Has a Thousand Eyes (Buddy Bernier/Jerry Brainin) 4:47
4. O Gato (Alternate take) (Jane Herbert) 4:56
5. O Gato (Jane Herbert) 4:28
6. Samba Cantina (Paul Desmond) 5:34
7. Curacao Doloroso (Paul Desmond) 4:31
8. A Ship Without a Sail (Lorenz Hart/Richard Rodgers) 6:16
9. Alianca (Paul Desmond) 4:31
10. The Girl from East 9th Street (Paul Desmond) 5:59
Personnel:
Paul Desmond (Alto Saxophone)
Jim Hall (Guitar)
Gene Wright (Double Bass)
Connie Kay (Drums)